Situado en la costa de Coromandel, este sitio engloba un conjunto de santuarios excavados en la roca que fueron fundados por los reyes de la dinastía de los Pallava entre los siglos VII y VIII. El sitio es sobre todo conocido por sus rathas (templos en forma de carros), sus mandapas (santuarios rupestres), sus gigantescos relieves al aire libre, como el célebre “Descenso del Ganges”, y los millares de esculturas del famoso Templo de la Orilla, erigido a la gloria de Siva.

Valor universal excepcional en inglés

Brief synthesis Mahabalipuram (or Mamallapuram), located along southeastern India’s Coromandel Coast, was a celebrated port city of the Pallavas. The group of monuments there consists of rock-cut cave temples, monolithic temples, bas-relief sculptures, and structural temples as well as the excavated remains of temples. The Pallava dynasty, which ruled this area between 6th and 9th centuries CE, created these majestic edifices. The Group of Monuments at Mahabalipuram occupies a distinct position in classical Indian architecture. These majestic edifices mark the high quality of craftsmanship in the region during 6th century CE. The natural landscape was utilized in carving out these structures, thereby making the ability of the Pallava craftsmen universally known. The monuments may be subdivided into five categories: The mandapas (rock-cut caves): During the time of Narasimhavarman-I Mamalla, new innovations were introduced in the rock medium in the form of cave temples. Notable examples of the cave temple are Konerimandapa, Mahishmardhini cave, and Varahamandapa. These rock-cut caves are richly embellished with sculptural representations known for their natural grace and suppleness. Noteworthy among them are Mahishamardhini, Bhuvaraha, Gajalakshmi, Tirivikrama, and Durga. The rathas (monolithic temples): The monolithic temples are locally called “ratha” (chariot), as they resemble the processional chariots of a temple. These five monolithic temples are each hewn out of a huge boulder. They display the full form and features of the contemporary temple form and show variations both in ground plan and elevation. They are richly carved with artistic motifs and wall panels depicting many Hindu divinities and royal portraits. The rock reliefs: The sculptural bas reliefs are another very important class of masterly creations created during Mamalla’s reign. There are four such reliefs at Mamallapuram, the most noteworthy among them being the Arjuna’s Penance and Govardhanadhari. The temples: King Rajasimha introduced structural architecture on a grand scale. The earliest and most modest is the Mukundanayananar temple, followed by the Olakkanesvara temple, perched on a rock near the lighthouse. The tempo of structural edifices culminated in the creation of the famous Shore temple, having the most finite layout of a Dravida vimana, majestically fringing the sea. The excavated remains: Sustained removal of the sand over a period of time has brought to light several buried structures around the Shore temple. Unique among them is a stepped structure, a miniature shrine, a Bhuvaraha image, a reclining image of Vishnu, and a well from Pallava King Narasimhavarman Rajasimha’s reign (638-660 CE), all of which are carved in the live bedrock. Remains of additional temples have recently been excavated, including one to the south of the Shore temple. Criterion (i): The bas-relief of the “Descent of the Ganges” is – like that of the island of Elephanta – a unique artistic achievement. Criterion (ii): The influence of the sculptures of Mahabalipuram, characterized by the softness and suppleness of their modelling, spread afar to places such as Cambodia, Annam and Java. Criterion (iii): Mahabalipuram is, pre-eminently, the testimony to the Pallavas civilization of southeast India. Criterion (vi): The sanctuary is one of the major centres of the cult of Siva. Integrity Within the boundaries of the Group of Monuments at Mahabalipuram are located all the elements necessary to express the Outstanding Universal Value of the serial property, including the mandapas, rathas, rock reliefs, temples, and excavated remains of the great Pallava dynasty. The property is in a good state of conservation. There are no major threats affecting the property, which is monitored and well maintained by Archaeological Survey of India. Identified potential threats to the integrity of the property include encroachment and unauthorized constructions in the prohibited/regulated areas. Authenticity The property remains in its authentic state in terms of locations, forms, materials, and designs. The authenticity of the property focuses on the creation and experimentation in rupestral architecture, which culminated in the evolution of structural temples. The artefacts revealed during recent excavations add to the value of the property as the representation of a masterpiece of human creative genius. Protection and management requirements The property is protected, conserved, and managed by the Archaeological Survey of India (ASI) through the Ancient Monuments and Archaeological Sites and Remains (AMASR) Act (1958) and its Rules (1959), amendment (1992) and Amendment and Validation Act (2010). The prohibited (100 m) and regulated (200 m) areas surrounding the World Heritage property are constantly monitored to minimize adverse impacts. A regular conservation and monitoring schedule is maintained by the ASI to ensure the property is in good state of conservation. Assessment of the state of conservation of the property, as well as visitor and landscape management plans, form the basis of long-term management aimed at maintaining the Outstanding Universal Value. No major development pressures or threats are affecting the property. Sustaining the Outstanding Universal Value of the property over time will require continuing the coordinated efforts with the help of state departments to stop encroachment and unauthorized constructions in the prohibited and regulated areas.