ΠΡΡ Π΅ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΎΠ±ΡΠ΅ΠΊΡ ΠΠΈΡΠΎΡΡΠ½
Bisotun
Cultural
Изображение из Википедии
Об объектах
ΠΠΈΡΠΎΡΡΠ½ Π½Π°Ρ
ΠΎΠ΄ΠΈΡΡΡ Π½Π° Π΄ΡΠ΅Π²Π½Π΅ΠΌ ΡΠΎΡΠ³ΠΎΠ²ΠΎΠΌ ΠΏΡΡΠΈ, ΡΠΎΠ΅Π΄ΠΈΠ½ΡΠ²ΡΠ΅ΠΌ ΠΡΠ°Π½ΡΠΊΠΎΠ΅ Π½Π°Π³ΠΎΡΡΠ΅ Ρ ΠΠ΅ΡΠΎΠΏΠΎΡΠ°ΠΌΠΈΠ΅ΠΉ, ΠΈ Ρ
ΡΠ°Π½ΠΈΡ ΡΠ²ΠΈΠ΄Π΅ΡΠ΅Π»ΡΡΡΠ²Π° ΠΌΠ½ΠΎΠ³ΠΈΡ
ΠΏΠ΅ΡΠΈΠΎΠ΄ΠΎΠ², Π½Π°ΡΠΈΠ½Π°Ρ Ρ Π΄ΠΎΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΈΡ
Π²ΡΠ΅ΠΌΠ΅Π½ Π΄ΠΎ ΠΠΈΠ΄ΠΈΠΉΡΠ΅Π², ΠΡ
Π΅ΠΌΠ΅Π½ΠΈΠ΄ΠΎΠ², Π‘Π°ΡΠ°Π½ΠΈΠ΄ΠΎΠ² ΠΈ ΠΠ»ΡΡ
Π°Π½ΠΈΠ΄ΠΎΠ². ΠΡΠ½ΠΎΠ²Π½ΠΎΠΉ ΠΏΠ°ΠΌΡΡΠ½ΠΈΠΊ ΡΡΠΎΠ³ΠΎ Π°ΡΡ
Π΅ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΠΎΠ±ΡΠ΅ΠΊΡΠ° - Π±Π°ΡΠ΅Π»ΡΠ΅Ρ ΠΈ ΠΊΠ»ΠΈΠ½ΠΎΠΏΠΈΡΠ½Π°Ρ Π½Π°Π΄ΠΏΠΈΡΡ, ΡΠ΄Π΅Π»Π°Π½Π½ΡΠ΅ ΠΏΠΎ ΠΏΡΠΈΠΊΠ°Π·Ρ ΠΠ°ΡΠΈΡ I ΠΠ΅Π»ΠΈΠΊΠΎΠ³ΠΎ, ΠΊΠΎΠ³Π΄Π° ΠΎΠ½ Π² 521 Π³. Π΄ΠΎ Π½.Ρ. Π²Π·ΠΎΡΠ΅Π» Π½Π° ΡΡΠΎΠ½ ΠΠ΅ΡΡΠΈΠ΄ΡΠΊΠΎΠΉ ΠΈΠΌΠΏΠ΅ΡΠΈΠΈ. ΠΠ°ΡΠ΅Π»ΡΠ΅Ρ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ°Π΅Ρ ΠΠ°ΡΠΈΡ, Π΄Π΅ΡΠΆΠ°ΡΠ΅Π³ΠΎ Π»ΡΠΊ, ΠΊΠ°ΠΊ ΡΠΈΠΌΠ²ΠΎΠ» Π²Π»Π°ΡΡΠΈ, ΠΈ ΠΏΠΎΠΏΠΈΡΠ°ΡΡΠ΅Π³ΠΎ Π³ΡΡΠ΄Ρ ΠΏΠΎΠ²Π΅ΡΠΆΠ΅Π½Π½ΠΎΠΉ ΠΏΠ΅ΡΠ΅Π΄ Π½ΠΈΠΌ ΡΠΈΠ³ΡΡΡ. Π ΡΠΎΠΎΡΠ²Π΅ΡΡΡΠ²ΠΈΠΈ Ρ Π»Π΅Π³Π΅Π½Π΄ΠΎΠΉ β ΡΡΠΎ ΡΠΈΠ³ΡΡΠ° ΠΠ°ΡΠΌΠ°ΡΡ, ΠΌΠΈΠ΄ΠΈΠΉΡΠΊΠΎΠ³ΠΎ ΠΌΠ°Π³Π° ΠΈ ΠΏΡΠ΅ΡΠ΅Π½Π΄Π΅Π½ΡΠ° Π½Π° ΡΡΠΎΠ½, ΡΠ±ΠΈΠΉΡΡΠ²ΠΎ ΠΊΠΎΡΠΎΡΠΎΠ³ΠΎ ΠΏΡΠΈΠ²Π΅Π»ΠΎ ΠΠ°ΡΠΈΡ ΠΊ Π²Π»Π°ΡΡΠΈ. ΠΠΈΠΆΠ΅ ΠΈ Π²ΠΎΠΊΡΡΠ³ Π±Π°ΡΠ΅Π»ΡΠ΅ΡΠ° Π½Π°Ρ
ΠΎΠ΄ΠΈΡΡΡ ΠΎΠΊΠΎΠ»ΠΎ 1200 ΡΡΡΠΎΠΊ, Π³Π΄Π΅ ΠΎΠΏΠΈΡΡΠ²Π°Π΅ΡΡΡ ΠΈΡΡΠΎΡΠΈΡ Π±ΠΈΡΠ², ΠΏΡΠΎΠ²Π΅Π΄Π΅Π½Π½ΡΡ
ΠΠ°ΡΠΈΠ΅ΠΌ Π² 521-520 Π³Π³. Π΄ΠΎ Π½.Ρ. ΠΏΡΠΎΡΠΈΠ² Π½Π°ΠΌΠ΅ΡΡΠ½ΠΈΠΊΠΎΠ² ΠΎΠ±Π»Π°ΡΡΠ΅ΠΉ, ΠΏΡΡΠ°Π²ΡΠΈΡ
ΡΡ ΠΎΡΠ΄Π΅Π»ΠΈΡΡΡΡ ΠΎΡ ΠΈΠΌΠΏΠ΅ΡΠΈΠΈ, ΡΠΎΠ·Π΄Π°Π½Π½ΠΎΠΉ ΠΠΈΡΠΎΠΌ. ΠΠ°Π΄ΠΏΠΈΡΠΈ Π²ΡΠΏΠΎΠ»Π½Π΅Π½Ρ Π½Π° ΡΡΠ΅Ρ
ΡΠ·ΡΠΊΠ°Ρ
. Π‘ΡΠ°ΡΠ΅ΠΉΡΠ°Ρ β ΡΡΠΎ ΡΠ»Π°ΠΌΠΈΡΡΠΊΠΈΠΉ ΡΠ΅ΠΊΡΡ, ΠΎΠΏΠΈΡΡΠ²Π°ΡΡΠΈΠΉ ΠΏΡΠ°Π²ΠΈΡΠ΅Π»Ρ ΠΈ ΠΏΠΎΠ²ΡΡΠ°Π½ΡΠ΅Π². ΠΠ°ΡΠ΅ΠΌ ΠΈΠ΄Π΅Ρ Π²Π°Π²ΠΈΠ»ΠΎΠ½ΡΠΊΠ°Ρ Π²Π΅ΡΡΠΈΡ ΠΏΠΎΠ΄ΠΎΠ±Π½ΡΡ
ΠΈΡΡΠΎΡΠΈΠΉ. ΠΠΎΡΠ»Π΅Π΄Π½ΡΡ ΡΠ°ΡΡΡ Π½Π°Π΄ΠΏΠΈΡΠΈ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎ Π²Π°ΠΆΠ½Π°, ΡΠ°ΠΊ ΠΊΠ°ΠΊ Π·Π΄Π΅ΡΡ ΠΠ°ΡΠΈΠΉ Π²ΠΏΠ΅ΡΠ²ΡΠ΅ ΠΏΡΠ΅Π΄Π»ΠΎΠΆΠΈΠ» Π²Π΅ΡΡΠΈΡ ΡΠ²ΠΎΠΈΡ
Π΄Π΅ΡΠ½ΠΈΠΉ Π½Π° ΡΡΠ°ΡΠΎ-ΠΏΠ΅ΡΡΠΈΠ΄ΡΠΊΠΎΠΌ ΡΠ·ΡΠΊΠ΅ (res gestae). ΠΡΠΎ Π΅Π΄ΠΈΠ½ΡΡΠ²Π΅Π½Π½ΡΠΉ ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠΉ ΡΠ΅ΠΊΡΡ Π½Π° ΠΏΠ°ΠΌΡΡΠ½ΠΈΠΊΠ°Ρ
ΠΡ
Π΅ΠΌΠ΅Π½ΠΈΠ΄ΠΎΠ², ΠΏΠΎΠ΄ΡΠ²Π΅ΡΠΆΠ΄Π°ΡΡΠΈΠΉ ΡΠ°ΠΊΡ Π²ΠΎΡΡΡΠ°Π½ΠΎΠ²Π»Π΅Π½ΠΈΡ ΠΈΠΌΠΏΠ΅ΡΠΈΠΈ ΠΠ°ΡΠΈΠ΅ΠΌ I. ΠΠ½ ΡΠ°ΠΊΠΆΠ΅ Π΄Π΅ΠΌΠΎΠ½ΡΡΡΠΈΡΡΠ΅Ρ Π²Π·Π°ΠΈΠΌΠΎΠΏΡΠΎΠ½ΠΈΠΊΠ½ΠΎΠ²Π΅Π½ΠΈΠ΅ ΡΠ°Π·Π»ΠΈΡΠ½ΡΡ
Π²Π»ΠΈΡΠ½ΠΈΠΉ ΠΏΡΠΈ ΡΠ°Π·Π²ΠΈΡΠΈΠΈ ΠΌΠΎΠ½ΡΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΈΡΠΊΡΡΡΡΠ²Π° ΠΈ ΠΏΠΈΡΡΠΌΠ΅Π½Π½ΠΎΡΡΠΈ Π½Π° ΡΠ΅ΡΡΠΈΡΠΎΡΠΈΠΈ ΠΠ΅ΡΡΠΈΠ΄ΡΠΊΠΎΠΉ ΠΈΠΌΠΏΠ΅ΡΠΈΠΈ. ΠΠ±ΡΠ΅ΠΊΡ ΡΠ°ΠΊΠΆΠ΅ ΡΠΎΠ΄Π΅ΡΠΆΠΈΡ ΠΎΡΡΠ°ΡΠΊΠΈ ΠΎΡ ΠΠΈΠ΄ΠΈΠΉΡΠΊΠΎΠ³ΠΎ (VIII-VII Π²Π². Π΄ΠΎ Π½.Ρ.), ΠΡ
Π΅ΠΌΠ΅Π½ΠΈΠ΄ΡΠΊΠΎΠ³ΠΎ (VI-IV Π²Π². Π΄ΠΎ Π½.Ρ.) ΠΈ ΠΏΠΎΡΡ-ΠΡ
Π΅ΠΌΠ΅Π½ΠΈΠ΄ΡΠΊΠΎΠ³ΠΎ ΠΏΠ΅ΡΠΈΠΎΠ΄ΠΎΠ².
Выдающаяся универсальная ценность на английском
Brief Synthesis On the sacred mountain of Bisotun in western Iranβs Kermanshah province is a remarkable multilingual inscription carved on a limestone cliff about 60 m above the plain. Located along one of the main routes linking Persia with Mesopotamia, the inscription is illustrated by a life-sized bas-relief of its creator, the Achaemenid (Persian) king Darius I, and other figures. It is unique, being the only known monumental text of the Achaemenids to document a specific historic event, that of the re-establishment of the empire by Darius I the Great. Moreover, Bisotun is an outstanding testimony to the important interchange of human values on the development of monumental art and writing, reflecting ancient traditions in monumental bas-reliefs. The inscription, which has three versions of the same text written in three different languages, was the first cuneiform writing to be deciphered in the 19th century. The inscription at Bisotun (meaning βplace of godsβ), which is about 15 m high by 25 m wide, was created on the orders of King Darius I in 521 BC. Much of it celebrates his victories over numerous pretenders to the Persian Empireβs throne. The inscription was written in three different cuneiform script languages: Old Persian, Elamite, and Babylonian. Once deciphered in the 19th century, it opened the door to previously unknown aspects of ancient civilizations. In that sense, the inscription at Bisotun has had a value for Assyriology comparable to that of the Rosetta Stone for Egyptology. The monumental bas-relief associated with the text includes an image of King Darius holding a bow as a sign of sovereignty, and treading on the chest of a figure which lies on his back before him. According to legend, the figure represents GaumΔta, the pretender to the throne whose assassination led to Dariusβ rise to power. This symbolic representation of the Achaemenid king in relation to his enemy reflects traditions in monumental bas-reliefs that date from ancient Egypt and the Middle East, and which were subsequently further developed during the Achaemenid and later empires. The 187-ha site of Bisotun also features remains from prehistoric times to the Median period (8th to 7th centuries BCE) as well as from the Achaemenid (6th to 4th centuries BCE) and post-Achaemenid periods. Its most significant period, however, was from the 6th century BCE to the 6th century CE. Criterion (ii): The monument created by Darius I the Great in Bisotun in 521 BCE is an outstanding testimony to the important interchange of human values on the development of monumental art and writing. The symbolic representation of the Achaemenid king in relation to his enemy reflects traditions in monumental bas-reliefs that date from ancient Egypt and the Middle East, and which were subsequently further developed during the Achaemenid and later empires. Criterion (iii): The site of Bisotun is located along one of the main routes linking Persia with Mesopotamia and associated with the sacred Bisotun mountain. There is archaeological evidence of human settlements that date from the prehistoric times, while the most significant period was from the 6th century BCE to the 6th century CE. The Bisotun inscription is unique, being the only known monumental text of the Achaemenids to document a specific historic event, that of the re-establishment of the empire by Darius I the Great. It was the first cuneiform writing to be deciphered in the 19th century. Integrity Within the boundaries of the property are located all the elements and components necessary to express the Outstanding Universal Value of the property, most notably the multilingual inscription in three different cuneiform script languages and the related monumental carved bas-relief. The property covers a reasonable area enclosing the most important monuments of the site as well as part of the mountain. While there has been some erosion, the text and bas-relief are still intact and comprehensible. The monumentβs integrity is threatened, however, by water infiltration behind the bas-relief. Authenticity The inscribed and carved monument created by Darius I the Great at Bisotun is authentic in terms of its form and design, material and substance, and location and setting. Protection and management requirements Bisotun is a state-owned property, and is under protection as a national monument on the basis of the Iranian Law on the Conservation of National Monuments (1982), the Purchase Law on historical properties, and the Law of City Halls. The principal management authority of the property is the Iranian Cultural Heritage, Handicraft and Tourism Organization (which is administered and funded by the Government of Iran) through its local office at Bisotun, Kermanshah. An initial management plan for the property, approved in 2004, set out the managerial mechanisms for a 6-year period. The current management plan, which was adopted in 2010, defines programmes related to equipment, research, conservation work, and repairs, as well as educational activities. This plan was prepared by the steering committee that replaced the National Board of Trustees of Bisotun World Heritage property, which had been established in 2008 to ensure the long-term conservation and sustainable development of the property. Sustaining the Outstanding Universal Value of the property over time will require transforming the emergency actions taken to counteract the effects of water infiltration behind the bas-relief into a permanent solution for safeguarding the monument; and continuing to manage the development pressures that exist in the region.
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