Villa Protectora de San Miguel el Grande y Santuario de Jesús Nazareno de Atotonilco
Protective town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco
Cultural
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Fundada en el siglo XVI para proteger el camino real del interior del país, la ciudad de San Miguel de Allende alcanzó su apogeo en el siglo XVIII, época en la que se construyeron numerosos edificios religiosos y civiles de estilo barroco mexicano. Algunos de ellos son obras maestras del estilo de transición entre el barroco y el neoclásico. Por su parte, el santuario de Jesús Nazareno de Atotonilco, construido por los jesuitas a unos 14 km de San Miguel, data también del siglo XVIII y es uno de los ejemplos más hermosos de la arquitectura y el arte barrocos de la Nueva España. Comprende una gran iglesia y una serie de capillas pequeñas ornamentadas con óleos de Juan Rodríguez Juárez y murales de Miguel Antonio Martínez de Pocasangre. Debido a su situación, San Miguel de Allende fue un verdadero crisol de influencias mutuas entre la cultura española, la criolla y la indígena, y constituye un ejemplo excepcional del intercambio cultural entre Europa y América Latina. Su arquitectura y ornamentación interior patentizan la influencia de la doctrina de San Ignacio de Loyola.
Valor universal excepcional en inglés
San Miguel de Allende is an early example of a rational territorial and urban development in the Americas, related to the protection of one of the main Spanish inland roads. The town flourished in the 18th century with the construction of significant religious and civil architecture, which exhibits the evolution of different trends and styles, from Baroque to late 19th century Neo-Gothic. Urban mansions are exceptionally large and rich for a medium-size Latin American town and constitute an example of the transition from Baroque to Neo-Classic. The Sanctuary of Atotonilco is a remarkable architectural complex that illustrates a specific response, inspired by the doctrine of Saint Ignacio de Loyola. Its interior decoration, especially mural painting, makes the Sanctuary a masterpiece of Mexican Baroque. Both the town and the Sanctuary, intimately linked, played a significant role in the process of Mexican independence, with impacts throughout Latin America. Criterion (ii): San Miguel de Allende constitutes an exceptional example of the interchange of human values; due to its location and functions, the town acted as a melting pot where Spaniards, Creoles and Amerindians exchanged cultural influences, something reflected in the tangible and intangible heritage. The Sanctuary of Jesús Nazareno de Atotonilco constitutes an exceptional example of the cultural exchange between European and Latin American cultures; the architectural disposition and interior decoration testify to the interpretation and adaptation of the doctrine of Saint Ignacio de Loyola to this specific regional context. Criterion (iv): San Miguel de Allende is an exceptional example of the integration of different architectural trends and styles on the basis of a 16th century urban layout. Religious and civil architecture exhibit the evolution of different styles, well integrated into a homogeneous urban landscape. Urban mansions are exceptionally large and rich for a medium-size Latin American town. The Sanctuary of Atotonilco is an outstanding example of a specific religious settlement, containing exceptional decoration that makes it a masterpiece of Mexican Baroque. The required conditions of integrity and authenticity have been met; both the town and Sanctuary have been subject to few significant alterations over time, urban changes have been adapted to the town’s features and scale, and restoration works have been carried out according to appropriate theoretical and technical principles. The legal system in place ensures the adequate protection of the property and the town and the Sanctuary exhibit an acceptable state of conservation. Management policies, structures and plans in place are adequate to ensure the preservation of the property’s values, integrity and authenticity.
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