ΠΠΏΠΈΡΠΊΠΎΠΏΡΠΊΠΈΠΉ Π³ΠΎΡΠΎΠ΄ ΠΠ»ΡΠ±ΠΈ
Episcopal City of Albi
Cultural
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Об объектах
Π Π°ΡΠΏΠΎΠ»ΠΎΠΆΠ΅Π½Π½ΡΠΉ Π½Π° Π±Π΅ΡΠ΅Π³Ρ ΡΠ΅ΠΊΠΈ Π’Π°ΡΠ½, ΡΡΠ°ΡΠΈΠ½Π½ΡΠΉ Π³ΠΎΡΠΎΠ΄ ΠΠ»ΡΠ±ΠΈ Π½Π° ΡΠ³ΠΎ-Π·Π°ΠΏΠ°Π΄Π΅ Π€ΡΠ°Π½ΡΠΈΠΈ ΡΠΎΡ
ΡΠ°Π½ΠΈΠ» ΡΠ»Π΅Π΄Ρ Π΅Π³ΠΎ ΡΠ°Π·Π²ΠΈΡΠΈΡ ΠΊΠ°ΠΊ Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΡΡΠ½ΠΎΠ³ΠΎ ΠΈ Π³ΠΎΡΠΎΠ΄ΡΠΊΠΎΠ³ΠΎ ΡΡΠ΅Π΄Π½Π΅Π²Π΅ΠΊΠΎΠ²ΠΎΠ³ΠΎ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΠ°. Π‘Π²ΠΈΠ΄Π΅ΡΠ΅Π»ΡΡΡΠ²Π°ΠΌΠΈ ΡΡΠΎΠ³ΠΎ ΡΠ²Π»ΡΡΡΡΡ Π‘ΡΠ°ΡΡΠΉ ΠΌΠΎΡΡ, ΡΠ°ΠΉΠΎΠ½ Π‘Π°Π½-Π‘Π°Π»ΡΠ²ΠΈ ΠΈ Π΅Π³ΠΎ ΡΠ΅ΡΠΊΠΎΠ²Ρ (Π΄Π΅ΡΡΡΡΠΉ-ΠΎΠ΄ΠΈΠ½Π½Π°Π΄ΡΠ°ΡΡΠΉ Π²Π΅ΠΊ). Π ΡΡΠΈΠ½Π°Π΄ΡΠ°ΡΠΎΠΌ Π²Π΅ΠΊΠ΅, Π²ΡΠΊΠΎΡΠ΅ ΠΏΠΎΡΠ»Π΅ Π·Π°Π²Π΅ΡΡΠ΅Π½ΠΈΡ ΠΊΡΠ΅ΡΡΠΎΠ²ΠΎΠ³ΠΎ ΠΏΠΎΡ
ΠΎΠ΄Π° Π°Π»ΡΠ±ΠΈΠ³ΠΎΠΉΡΠ΅Π² ΠΏΡΠΎΡΠΈΠ² ΠΊΠ°ΡΠ°ΡΠΎΠ², ΠΠ»ΡΠ±ΠΈ ΠΏΡΠ΅Π²ΡΠ°ΡΠΈΠ»ΡΡ Π² Π±ΠΎΠ³Π°ΡΡΠΉ Π΅ΠΏΠΈΡΠΊΠΎΠΏΡΠΊΠΈΠΉ Π³ΠΎΡΠΎΠ΄. Π‘ΠΎΠ±ΠΎΡ-ΠΊΡΠ΅ΠΏΠΎΡΡΡ, Π²ΠΎΠ·Π²ΡΡΠ°ΡΡΠΈΠΉΡΡ Π½Π°Π΄ Π³ΠΎΡΠΎΠ΄ΠΎΠΌ (ΡΡΠΈΠ½Π°Π΄ΡΠ°ΡΡΠΉ Π²Π΅ΠΊ), Π²ΡΠΏΠΎΠ»Π½Π΅Π½Π½ΡΠΉ Π² ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΠΎΠΌ ΡΡΠ΅Π΄ΠΈΠ·Π΅ΠΌΠ½ΠΎΠΌΠΎΡΡΠΊΠΎΠΌ ΡΡΠΈΠ»Π΅ Ρ ΡΠ»Π΅ΠΌΠ΅Π½ΡΠ°ΠΌΠΈ Π³ΠΎΡΠΈΠΊΠΈ, Π²ΡΡΡΡΠΎΠ΅Π½ ΠΈΠ· ΠΌΠ΅ΡΡΠ½ΠΎΠ³ΠΎ ΠΊΠΈΡΠΏΠΈΡΠ° ΠΊΡΠ°ΡΠ½ΠΎ-ΠΎΡΠ°Π½ΠΆΠ΅Π²ΠΎΠΉ ΠΎΠΊΡΠ°ΡΠΊΠΈ. ΠΠ½ ΡΠ²ΠΈΠ΄Π΅ΡΠ΅Π»ΡΡΡΠ²ΡΠ΅Ρ ΠΎ Π²ΠΎΠ·ΡΠΎΠ΄ΠΈΠ²ΡΠ΅ΠΉΡΡ ΡΠΈΠ»Π΅ ΡΠΈΠΌΡΠΊΠΎΠ³ΠΎ Π΄ΡΡ
ΠΎΠ²Π΅Π½ΡΡΠ²Π°. Π‘ΠΎΠ±ΠΎΡ Π΄ΠΎΠΏΠΎΠ»Π½ΡΠ΅Ρ ΠΎΠ³ΡΠΎΠΌΠ½ΡΠΉ Π΅ΠΏΠΈΡΠΊΠΎΠΏΡΠΊΠΈΠΉ Π΄Π²ΠΎΡΠ΅Ρ ΠΠ΅ΡΠ±ΠΈ, Π²ΠΎΠ·Π²ΡΡΠ°ΡΡΠΈΠΉΡΡ Π½Π°Π΄ ΡΠ΅ΠΊΠΎΠΉ ΠΈ ΠΎΠΊΡΡΠΆΠ΅Π½Π½ΡΠΉ ΠΆΠΈΠ»ΡΠΌΠΈ ΠΊΠ²Π°ΡΡΠ°Π»Π°ΠΌΠΈ, ΠΎΡΠ½ΠΎΡΡΡΠΈΠΌΠΈΡΡ ΠΊ ΡΡΠ΅Π΄Π½Π΅Π²Π΅ΠΊΠΎΠ²ΡΡ. ΠΠΏΠΈΡΠΊΠΎΠΏΡΠΊΠΈΠΉ Π³ΠΎΡΠΎΠ΄ ΠΠ»ΡΠ±ΠΈ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΠΎΠ±ΠΎΠΉ Π΅Π΄ΠΈΠ½ΡΠΉ ΠΈ Π³Π°ΡΠΌΠΎΠ½ΠΈΡΠ½ΡΠΉ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡ ΠΏΠ°ΠΌΡΡΠ½ΠΈΠΊΠΎΠ² ΠΈ ΠΊΠ²Π°ΡΡΠ°Π»ΠΎΠ², Π½Π΅ ΠΏΡΠ΅ΡΠ΅ΡΠΏΠ΅Π²ΡΠΈΠΉ ΡΡΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ
ΠΈΠ·ΠΌΠ΅Π½Π΅Π½ΠΈΠΉ Π½Π° ΠΏΡΠΎΡΡΠΆΠ΅Π½ΠΈΠΈ ΡΡΠΎΠ»Π΅ΡΠΈΠΉ.
Выдающаяся универсальная ценность на английском
Brief synthesis The Episcopal City of Albi presents a complete built ensemble representative of a type of urban development in Europe from the Middle Ages to the present day. Its monumental and urban elements are complementary and well preserved, in subtle harmony of tones and appearance thanks to the use of local fired brick. It is testimony to a programme which was simultaneously both defensive and spiritual, and which was implemented by the Roman Catholic bishops following the suppression of the Albigensian or Cathar heresy in the 13th century. Sainte-CΓ©cile Cathedral is the most remarkable monumental symbol, in a Gothic architectural style unique to southern France, to which systematic internal painted decoration, a choir, and late Gothic statuary were added in the 15th and 16th centuries. Finally, the outstanding value of the city is expressed by a medieval urban landscape that is both well preserved and extremely authentic. Criterion (iv): The historic city of Albi presents an outstanding medieval architectural and urban ensemble. It is homogeneous and is expressed through a high-quality urban landscape that possesses high visual coherence because of the generalised and enduring use of local fired brick. Sainte-CΓ©cile Cathedral is an exceptional architectural and decorative example of the adaptation of the Gothic style to the context of Southern France. Criterion (v): The Albi urban site developed gradually over the centuries, and notably from the Middle Ages. The events of the Albigensian Crusade transformed it into a symbolic Episcopal city structured around its Cathedral and its Episcopal fortress-palace. This is one of the rare examples of ensembles of this kind that are to such a high degree complete and well preserved. It expresses in a very comprehensive way a type of urban settlement that was characteristic of medieval and Renaissance Europe. Integrity and authenticity All the old architectural elements are included in the nominated historic zone, which corresponds exactly with the Renaissance boundaries of the city. Any exceptions from this level of integrity can mainly be attributed to redevelopment of the urban districts in the 19th and early 20th centuries. These were limited in scope and do not affect the coherent appearance of the city overall. The conditions of authenticity of the urban structure of the property, of a number of buildings from the Middle Ages and the Renaissance, and of most of the monuments are satisfactory thanks to appropriate conservation. The city enjoys considerable visual coherence attributable to the chromatic nuances of the local fired brick, which was in use over a lengthy historical period up to the present day. The integrity and the authenticity of the urban landscape of the ensemble should be emphasised; they should be a priority objective for long-term preservation. Protection and management requirements The Episcopal city's main monuments are all under the protection of the French law of 1913. The so-called 'Malraux Law' of 1962 on conservation areas led to an early municipal project, which was approved in 1968. A protection and enhancement plan followed and was approved in 1974. The protection arrangements are adequate and operate satisfactorily. An extension of the protection of the urban landscape has been announced for the area outside the buffer zone (broad protection procedure, known as ZPPAUP). The management system for the property is long-standing, and involves numerous stakeholders with well defined specialist functions, which they exercise with recognised expertise. The Municipality is seen as the current coordinator of this system, notably through its consultative management with the inhabitants in the Conservation Area, which includes both the property and its buffer zone. A Property Committee has been established and is responsible in particular for monitoring conservation and protection, coordinating the various stakeholders, and relations with the inhabitants.
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