ΠΡΠΌΡΠ½ΡΠΊΠΈΠ΅ ΠΌΠΎΠ½Π°ΡΡΡΡΡΠΊΠΈΠ΅ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΡ ΠΡΠ°Π½Π°
Armenian Monastic Ensembles of Iran
Cultural
Изображение из Википедии
Об объектах
ΠΡΠΌΡΠ½ΡΠΊΠΈΠ΅ ΠΌΠΎΠ½Π°ΡΡΡΡΡΠΊΠΈΠ΅ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΡ ΠΡΠ°Π½Π°, ΡΠ°ΡΠΏΠΎΠ»ΠΎΠΆΠ΅Π½Π½ΡΠ΅ Π½Π° ΡΠ΅Π²Π΅ΡΠΎ-Π·Π°ΠΏΠ°Π΄Π΅ ΡΡΡΠ°Π½Ρ, Π²ΠΊΠ»ΡΡΠ°ΡΡ ΡΡΠΈ Π°Π½ΡΠ°ΠΌΠ±Π»Ρ Π°ΡΠΌΡΠ½ΡΠΊΠΈΡ
Ρ
ΡΠΈΡΡΠΈΠ°Π½ΡΠΊΠΈΡ
ΠΌΠΎΠ½Π°ΡΡΡΡΠ΅ΠΉ: ΠΌΠΎΠ½Π°ΡΡΡΡΡ Π‘Π². Π€Π°Π΄Π΄Π΅Ρ, Π‘Π². Π‘ΡΠ΅ΡΠ°Π½Π° ΠΈ ΡΠ°ΡΠΎΠ²Π½Ρ ΠΠ΅Π²Ρ ΠΠ°ΡΠΈΠΈ ΠΠ·ΠΎΡΠ΄Π·ΠΎΡΡΠΊΠΎΠΉ. ΠΡΠΈ ΠΏΠ°ΠΌΡΡΠ½ΠΈΠΊΠΈ, ΡΠ°ΠΌΡΠΉ Π΄ΡΠ΅Π²Π½ΠΈΠΉ ΠΈΠ· ΠΊΠΎΡΠΎΡΡΡ
β ΠΌΠΎΠ½Π°ΡΡΡΡΡ Π‘Π². Π€Π°Π΄Π΄Π΅Ρ (VII Π²Π΅ΠΊ), ΡΠ²Π»ΡΡΡΡΡ Π²ΡΠ΄Π°ΡΡΠΈΠΌΠΈΡΡ ΠΏΡΠΈΠΌΠ΅ΡΠ°ΠΌΠΈ Π°ΡΠΌΡΠ½ΡΠΊΠΎΠΉ Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΡΡΡ ΠΈ Π΄Π΅ΠΊΠΎΡΠ°ΡΠΈΠ²Π½ΠΎΠ³ΠΎ ΠΈΡΠΊΡΡΡΡΠ²Π°. ΠΡΠΎ ΡΠ°ΠΊΠΆΠ΅ ΡΠ²ΠΈΠ΄Π΅ΡΠ΅Π»ΡΡΡΠ²Π° ΠΈΠ½ΡΠ΅Π½ΡΠΈΠ²Π½ΡΡ
ΠΊΡΠ»ΡΡΡΡΠ½ΡΡ
ΠΎΠ±ΠΌΠ΅Π½ΠΎΠ² ΠΌΠ΅ΠΆΠ΄Ρ ΡΠ°Π·Π»ΠΈΡΠ½ΡΠΌΠΈ ΡΠΈΠ²ΠΈΠ»ΠΈΠ·Π°ΡΠΈΡΠΌΠΈ β Π²ΠΈΠ·Π°Π½ΡΠΈΠΉΡΠΊΠΎΠΉ, ΠΏΡΠ°Π²ΠΎΡΠ»Π°Π²Π½ΠΎΠΉ ΠΈ ΠΏΠ΅ΡΡΠΈΠ΄ΡΠΊΠΎΠΉ. Π Π°ΡΠΏΠΎΠ»ΠΎΠΆΠ΅Π½Π½ΡΠ΅ Π½Π° ΡΠ³ΠΎ-Π²ΠΎΡΡΠΎΠΊΠ΅ Π°ΡΠΌΡΠ½ΡΠΊΠΎΠ³ΠΎ ΠΊΡΠ»ΡΡΡΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²Π° ΠΌΠΎΠ½Π°ΡΡΡΡΠΈ ΡΠ²Π»ΡΠ»ΠΈΡΡ Π²Π°ΠΆΠ½ΡΠΌ ΡΠ΅Π½ΡΡΠΎΠΌ ΡΠ°ΡΠΏΡΠΎΡΡΡΠ°Π½Π΅Π½ΠΈΡ Π°ΡΠΌΡΠ½ΡΠΊΠΎΠΉ ΠΊΡΠ»ΡΡΡΡΡ Π² ΠΠ·Π΅ΡΠ±Π°ΠΉΠ΄ΠΆΠ°Π½Π΅ ΠΈ ΠΠ΅ΡΡΠΈΠΈ. ΠΡΠΎ ΠΏΠΎΡΠ»Π΅Π΄Π½ΠΈΠ΅ Π² ΡΠ΅Π³ΠΈΠΎΠ½Π΅ Π°ΡΠΌΡΠ½ΡΠΊΠΈΠ΅ ΠΊΡΠ»ΡΡΡΡΠ½ΡΠ΅ ΠΏΠ°ΠΌΡΡΠ½ΠΈΠΊΠΈ, ΡΠΎΡ
ΡΠ°Π½ΠΈΠ²ΡΠΈΠ΅ΡΡ Π² ΡΠ΄ΠΎΠ²Π»Π΅ΡΠ²ΠΎΡΠΈΡΠ΅Π»ΡΠ½ΠΎ ΡΠ΅Π»ΠΎΡΡΠ½ΠΎΠΌ ΠΈ ΠΏΠΎΠ΄Π»ΠΈΠ½Π½ΠΎΠΌ ΡΠΎΡΡΠΎΡΠ½ΠΈΠΈ. Π ΡΠΎΠΌΡ ΠΆΠ΅, ΠΎΡΡΠ°Π²Π°ΡΡΡ ΠΌΠ΅ΡΡΠ°ΠΌΠΈ ΠΏΠ°Π»ΠΎΠΌΠ½ΠΈΡΠ΅ΡΡΠ²Π°, ΠΎΠ½ΠΈ ΡΠ²Π»ΡΡΡΡΡ ΡΠ²ΠΈΠ΄Π΅ΡΠ΅Π»ΡΠΌΠΈ ΡΠ°Π·Π²ΠΈΡΠΈΡ Π°ΡΠΌΡΠ½ΡΠΊΠΎΠΉ ΠΊΡΠ»ΡΡΡΡΡ ΠΈ Π²Π΅ΡΠΎΠΈΡΠΏΠΎΠ²Π΅Π΄Π°Π½ΠΈΡ Π½Π° ΠΏΡΠΎΡΡΠΆΠ΅Π½ΠΈΠΈ ΠΌΠ½ΠΎΠ³ΠΈΡ
Π²Π΅ΠΊΠΎΠ².
Выдающаяся универсальная ценность на английском
The Armenian monasteries of Iran have borne continuous testimony, since the origins of Christianity and certainly since the 7th century, to Armenian culture in its relations and contact with the Persian and later the Iranian civilisations. They bear testimony to a very large and refined panorama of architectural and decorative content associated with Armenian culture, in interaction with other regional cultures: Byzantine, Orthodox, Assyrian, Persian and Muslim. The monasteries have survived some 2,000 years of destruction, both of human origin and as a result of natural disasters. They have been rebuilt several times in a spirit in keeping with Armenian cultural traditions. Today they are the only important vestiges of Armenian culture in this region. Saint-Thaddeus, the presumed location of the tomb of the apostle of Jesus Christ, St. Thaddeus, has always been a place of high spiritual value for Christians and other inhabitants in the region. It is still today a living place of pilgrimage for the Armenian Church. Criterion (ii): The Armenian monasteries of Iran illustrate the Outstanding Universal Value of Armenian architectural and decorative traditions. They bear testimony to very important cultural interchanges with the other regional cultures, in particular Byzantine, Orthodox and Persian. Criterion (iii): Situated at the south-eastern limits of the main zone of Armenian culture, the monasteries were a major centre for its diffusion in the region. Today they are the last regional testimony of this culture in a satisfactory state of integrity and authenticity. Criterion (vi): The monastic ensembles are the place of pilgrimage of the apostle St. Thaddeus, which bears an outstanding living testimony to Armenian religious traditions down the centuries. The State Party has made a remarkable long-term effort regarding the restoration and conservation of the Armenian monastic ensembles in Iran. Their integrity and authenticity are satisfactory, and this includes the Chapel of Dzordzor, which (because of a dam construction project) was moved and then rebuilt with an evident concern to retain authenticity. The legal protection in place is adequate. The monastic ensemble is currently in a good state of conservation. The management plan provides the necessary guarantees for the long-term conservation of the property and the expression of its Outstanding Universal Value.
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