Π’ΡΠ»ΠΎΡ ΠΏΡΠΎΠ²ΠΈΠ½ΡΠΈΠΈ Π€ΡΡΠ·ΡΠ½Ρ
Fujian Tulou
Cultural
Об объектах
ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡ ΠΈΠ· 46 Π·Π΅ΠΌΠ»ΡΠ½ΡΡ
Π·Π΄Π°Π½ΠΈΠΉ, ΠΏΠΎΡΡΡΠΎΠ΅Π½Π½ΡΡ
ΠΌΠ΅ΠΆΠ΄Ρ XII ΠΈ XX ΡΡΠΎΠ»Π΅ΡΠΈΡΠΌΠΈ ΠΈ ΡΠ°ΡΠΏΠΎΠ»ΠΎΠΆΠ΅Π½Π½ΡΡ
Π½Π° ΡΠ΅ΡΡΠΈΡΠΎΡΠΈΠΈ ΠΏΡΠΎΡΡΠΆΠ΅Π½Π½ΠΎΡΡΡΡ Π² Π±ΠΎΠ»Π΅Π΅ ΡΠ΅ΠΌ 120 ΠΊΠΌ Π²ΠΎ Π²Π½ΡΡΡΠ΅Π½Π½Π΅ΠΉ, ΡΠ³ΠΎ-Π·Π°ΠΏΠ°Π΄Π½ΠΎΠΉ, ΡΠ°ΡΡΠΈ ΠΏΡΠΎΠ²ΠΈΠ½ΡΠΈΠΈ Π€ΡΡΠ·ΡΠ½Ρ, ΠΎΠΌΡΠ²Π°Π΅ΠΌΠΎΠΉ Π²ΠΎΠ΄Π°ΠΌΠΈ Π’Π°ΠΉΠ²Π°Π½ΡΠΊΠΎΠ³ΠΎ ΠΏΡΠΎΠ»ΠΈΠ²Π°. ΠΠΊΡΡΠΆΠ΅Π½Π½ΡΠ΅ ΡΡΠ±ΡΡΠΎΠΏΠΈΡΠ΅ΡΠΊΠΈΠΌΠΈ Π»Π΅ΡΠ°ΠΌΠΈ (ΡΠΎΡΠ½Ρ, ΠΊΠΈΡΠ°ΠΉΡΠΊΠ°Ρ Π΅Π»Ρ, ΠΊΠΈΠΏΠ°ΡΠΈΡΡ ΠΈ ΠΊΠ°ΠΌΡΠΎΡΠ½ΠΎΠ΅ Π΄Π΅ΡΠ΅Π²ΠΎ) ΠΈ Π²ΠΎΠ·Π²ΡΡΠ°ΡΡΠΈΠ΅ΡΡ ΡΡΠ΅Π΄ΠΈ ΡΠΈΡΠΎΠ²ΡΡ
ΠΏΠΎΠ»Π΅ΠΉ, ΡΠ°ΠΉΠ½ΡΡ
ΠΈ ΡΠ°Π±Π°ΡΠ½ΡΡ
ΠΏΠ»Π°Π½ΡΠ°ΡΠΈΠΉ, ΡΡΠΈ ΠΌΠ½ΠΎΠ³ΠΎΡΡΠ°ΠΆΠ½ΡΠ΅ ΠΊΠ²Π°Π΄ΡΠ°ΡΠ½ΡΠ΅ ΠΈΠ»ΠΈ ΠΊΡΡΠ³ΠΎΠΎΠ±ΡΠ°Π·Π½ΡΠ΅ ΠΏΠΎΡΡΡΠΎΠΉΠΊΠΈ, ΠΎΠ±ΡΠ°ΡΠ΅Π½Π½ΡΠ΅ Π²Π½ΡΡΡΡ, Π²ΠΌΠ΅ΡΠ°Π»ΠΈ Π΄ΠΎ 800 ΡΠ΅Π»ΠΎΠ²Π΅ΠΊ. Π ΠΎΠ΄ΠΎΠ²ΡΠ΅ ΡΡΡΠΎΠ΅Π½ΠΈΡ ΡΡΠ»ΠΎΡ Π²ΠΎΠ·Π²ΠΎΠ΄ΠΈΠ»ΠΈΡΡ Π² Π·Π°ΡΠΈΡΠ½ΡΡ
ΡΠ΅Π»ΡΡ
Π²ΠΎΠΊΡΡΠ³ Π΅Π΄ΠΈΠ½ΠΎΠ³ΠΎ ΡΠ΅Π½ΡΡΠ°Π»ΡΠ½ΠΎΠ³ΠΎ Π΄Π²ΠΎΡΠ° ΠΈ ΡΠ½Π°ΡΡΠΆΠΈ ΠΈΠΌΠ΅Π»ΠΈ ΡΠΎΠ»ΡΠΊΠΎ ΠΎΠ΄ΠΈΠ½ Π²Ρ
ΠΎΠ΄ ΠΈ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ ΠΎΠΊΠΎΠ½. ΠΡΠΈ Π·Π΄Π°Π½ΠΈΡ, Π²ΠΌΠ΅ΡΠ°Π²ΡΠΈΠ΅ ΡΠ΅Π»ΡΠ΅ ΡΠΎΠ΄ΠΎΠ²ΡΠ΅ ΠΎΠ±ΡΠΈΠ½Ρ, Π²ΡΠΏΠΎΠ»Π½ΡΠ»ΠΈ ΡΡΠ½ΠΊΡΠΈΠΈ ΠΎΡΠ΄Π΅Π»ΡΠ½ΡΡ
Π΄Π΅ΡΠ΅Π²Π΅Π½Ρ ΠΈ Π±ΡΠ»ΠΈ ΠΈΠ·Π²Π΅ΡΡΠ½Ρ ΠΊΠ°ΠΊ ΠΌΠ°Π»ΡΠ΅ ΡΠ΅ΠΌΠ΅ΠΉΠ½ΡΠ΅ ΠΊΠΎΡΠΎΠ»Π΅Π²ΡΡΠ²Π° ΠΈΠ»ΠΈ ΠΏΡΠΎΡΠ²Π΅ΡΠ°ΡΡΠΈΠ΅ Π³ΠΎΡΠΎΠ΄ΠΊΠΈ. ΠΠ»Ρ ΠΏΠΎΡΡΡΠΎΠ΅ΠΊ Ρ
Π°ΡΠ°ΠΊΡΠ΅ΡΠ½Ρ Π²ΡΡΠΎΠΊΠΈΠ΅ ΡΠΊΡΠ΅ΠΏΠ»Π΅Π½Π½ΡΠ΅ Π·Π΅ΠΌΠ»ΡΠ½ΡΠ΅ ΡΡΠ΅Π½Ρ, ΡΠ²Π΅Π½ΡΠ°Π½Π½ΡΠ΅ ΡΠ΅ΡΠ΅ΠΏΠΈΡΠ½ΡΠΌΠΈ ΠΊΡΡΡΠ°ΠΌΠΈ Ρ ΡΠΈΡΠΎΠΊΠΈΠΌΠΈ ΠΊΠ°ΡΠ½ΠΈΠ·Π°ΠΌΠΈ. Π‘Π°ΠΌΡΠ΅ ΡΠ»ΠΎΠΆΠ½ΡΠ΅ ΡΡΡΡΠΊΡΡΡΡ ΠΎΡΠ½ΠΎΡΡΡΡΡ ΠΊ XVII-XVIII Π²Π΅ΠΊΠ°ΠΌ. ΠΠΎΠΌΠ΅ΡΠ΅Π½ΠΈΡ ΡΠ°ΡΠΏΡΠ΅Π΄Π΅Π»ΡΠ»ΠΈΡΡ ΠΌΠ΅ΠΆΠ΄Ρ ΡΠ΅ΠΌΡΡΠΌΠΈ Π² Π²Π΅ΡΡΠΈΠΊΠ°Π»ΡΠ½ΠΎΠΌ ΠΏΠΎΡΡΠ΄ΠΊΠ΅, ΡΠΎ Π΅ΡΡΡ ΠΊΠ°ΠΆΠ΄Π°Ρ ΡΠ΅ΠΌΡΡ ΠΈΠΌΠ΅Π»Π° ΠΏΠΎ Π΄Π²Π΅-ΡΡΠΈ ΠΊΠΎΠΌΠ½Π°ΡΡ Π½Π° ΠΊΠ°ΠΆΠ΄ΠΎΠΌ ΡΡΠ°ΠΆΠ΅. ΠΠ΅Π·Π°ΡΠ΅ΠΉΠ»ΠΈΠ²ΡΠ΅ ΡΠ½Π°ΡΡΠΆΠΈ, ΡΡΠ»ΠΎΡ Π±ΡΠ»ΠΈ Π½Π΅ΡΠ΅Π΄ΠΊΠΎ Π±ΠΎΠ³Π°ΡΠΎ ΡΠΊΡΠ°ΡΠ΅Π½Ρ Π²Π½ΡΡΡΠΈ ΠΈ Π±Π»Π°Π³ΠΎΡΡΡΡΠΎΠ΅Π½Ρ. Π’ΡΠ»ΠΎΡ ΠΏΡΠΎΠ²ΠΈΠ½ΡΠΈΠΈ Π€ΡΡΠ·ΡΠ½Ρ Π²Π½Π΅ΡΠ΅Π½Ρ Π² Π‘ΠΏΠΈΡΠΎΠΊ Π²ΡΠ΅ΠΌΠΈΡΠ½ΠΎΠ³ΠΎ Π½Π°ΡΠ»Π΅Π΄ΠΈΡ ΠΊΠ°ΠΊ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΡΠΉ ΠΏΡΠΈΠΌΠ΅Ρ ΡΡΠ½ΠΊΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎ-ΡΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π½ΠΎΠΉ Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΡΡΡ Π²ΠΏΠ΅ΡΠ°ΡΠ»ΡΡΡΠΈΡ
ΡΠ°Π·ΠΌΠ΅ΡΠΎΠ², ΠΎΡΡΠ°ΠΆΠ°ΡΡΠ΅ΠΉ ΡΠ°Π·Π»ΠΈΡΠ½ΡΠ΅ ΡΡΠ°Π΄ΠΈΠΈ ΡΠΊΠΎΠ½ΠΎΠΌΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΈ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΠΎΠΉ ΠΈΡΡΠΎΡΠΈΠΈ ΠΎΠ±ΡΠ΅ΡΡΠ²Π°. ΠΠ½ΠΈ ΡΠ°ΠΊΠΆΠ΅ ΡΠ²Π»ΡΡΡΡΡ ΠΏΡΠΈΠΌΠ΅ΡΠΎΠΌ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΈΡ
ΠΏΠΎΡΠ΅Π»Π΅Π½ΠΈΠΉ, Π³Π΄Π΅ Π³Π»Π°Π²Π½ΡΠΌΠΈ ΡΠ΅Π½Π½ΠΎΡΡΡΠΌΠΈ ΡΠ²Π»ΡΠ»ΠΈΡΡ, Ρ ΠΎΠ΄Π½ΠΎΠΉ ΡΡΠΎΡΠΎΠ½Ρ, ΠΎΠ±ΡΠΈΠ½Π½ΡΠΉ ΠΎΠ±ΡΠ°Π· ΠΆΠΈΠ·Π½ΠΈ ΠΈ ΡΠ°ΠΌΠΎΠ·Π°ΡΠΈΡΠ°, Π° Ρ Π΄ΡΡΠ³ΠΎΠΉ - Π³Π°ΡΠΌΠΎΠ½ΠΈΡΠ½ΠΎΠ΅ Π²Π·Π°ΠΈΠΌΠΎΠ΄Π΅ΠΉΡΡΠ²ΠΈΠ΅ Ρ ΠΎΠΊΡΡΠΆΠ°ΡΡΠ΅ΠΉ ΡΡΠ΅Π΄ΠΎΠΉ.
Выдающаяся универсальная ценность на английском
The Fujian Tulou are the most representative and best preserved examples of the tulou of the mountainous regions of south-eastern China. The large, technically sophisticated and dramatic earthen defensive buildings, built between the 13th and 20th centuries, in their highly sensitive setting in fertile mountain valleys, are an extraordinary reflection of a communal response to settlement which has persisted over time. The tulou, and their extensive associated documentary archives, reflect the emergence, innovation, and development of an outstanding art of earthen building over seven centuries. The elaborate compartmentalised interiors, some with highly decorated surfaces, met both their communitiesβ physical and spiritual needs and reflect in an extraordinary way the development of a sophisticated society in a remote and potentially hostile environment. The relationship of the massive buildings to their landscape embodies both Feng Shui principles and ideas of landscape beauty and harmony. Criterion (iii): The tulou bear an exceptional testimony to a long-standing cultural tradition of defensive buildings for communal living that reflect sophisticated building traditions and ideas of harmony and collaboration, well documented over time. Criterion (iv): The tulou are exceptional in terms of size, building traditions and function, and reflect societyβs response to various stages in economic and social history within the wider region. Criterion (v): The tulou as a whole and the nominated Fujian tulou in particular, in terms of their form are a unique reflection of communal living and defensive needs, and in terms of their harmonious relationship with their environment, an outstanding example of human settlement. The authenticity of the tulou is related to sustaining the tulou themselves and their building traditions as well as the structures and processes associated with their farmed and forested landscape setting. The integrity of the tulou is related to their intactness as buildings but also to the intactness of the surrounding farmed and forested landscape β into which they were so carefully sited in accordance with Feng Shui principles. The legal protection of the nominated areas and their buffer zones are adequate. The overall management system for the property is adequate, involving both government administrative bodies and local communities, although plans for the sustainability of the landscape that respect local farming and forestry traditions need to be better developed.
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